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Clarence “Frogman” Henry, who was one of New Orleans’ best known old-time R&B singers and scored a hit at age 19 with “Ain’t Got No Home,” has died. He was 87.
Henry died Sunday night, the New Orleans Jazz and Heritage Foundation said on social media. It didn’t give the cause of death.
Henry, who had been scheduled to perform at the New Orleans Jazz & Heritage Festival later this month, imitated the voice of a frog in “Ain’t Got No Home.” It was a hit in 1956 and later brought Henry renewed fame when it was featured on the “Forrest Gump” and “Mickey Blue Eyes” soundtracks.
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He credited disc jockey Poppa Stoppa, whose real name was Clarence Hayman, as coming up with the nickname the “Frogman,” which mimicked Fats Domino’s moniker the “Fatman.”
By 1958, Henry’s popularity waned and he took to playing nightclubs on Bourbon Street.
FILE – Clarence “Frogman” Henry gestures during an interview at his home in Algiers, La., June 12, 2003. Henry, one of New Orleans’ best known old-time R&B singers who scored a hit at age 19 with “Ain’t Got No Home” in 1956, has died at age 87. (AP Photo/Bill Haber, File)
“I thought the sun would shine. I thought my record would always stay out there and stay on the top, but in 1958, the rain came and bring me back to New Orleans,” Henry told The Associated Press in 2003.
But in 1960, a new song, “I Don’t Know Why But I Do” by Cajun songwriter Bobby Charles and arranged by Allen Toussaint, brought Henry renewed success.
With the Bill Black Combo and the Jive Five he opened for the Beatles for 18 dates in 1964 during their first U.S. trip and toured extensively, from Scotland to New Zealand.
In Louisiana, Henry remained popular. He also was one of the few black New Orleans musicians to cross over into Cajun musical circles.
Henry, who was born in New Orleans on March 19, 1937, started playing the piano at 8, taking up lessons his sister had disliked. He worked for his father until he was 15, often for no money.
He played the trombone and piano in his high school band and later joined The Toppers, traveling around southern Louisiana before making it big.
“When I was going to school, I wanted to be Fats Domino, Professor Longhair, and I would wear a wig with two plaits and call myself Professor Longhair,” Henry told the AP. “I like the Fats Domino rhythm, but I play my own chords and my own style.”
Henry’s national fame faded but he remained popular in Louisiana. He was a Bourbon Street fixture until 1981, when he retired from the grueling club circuit. But he never gave up music, and continued to be an annual crowd pleaser at the Jazz & Heritage Festival.
Funeral arrangements are pending at the Murray Henderson Funeral Home.
